April 11, 2010
Three centuries ago, the civilized world embarked upon a journey of unforeseeable repercussions that has essentially made most common people criminals. On April 10th, 1710, the United Kingdom enacted the first statute to ever grant individuals a right in the copies of their printed works. Entitled the Statute of Anne, the law granted book printers an initial 14 years of protection for their efforts with the option for an extension of 14 years. In the United States, that term of protection has been expanded to 70 years.
Although copyright has developed into an economic right, it was originally created in order to promote learning. Not only did the Statute of Anne grant rights to the publisher for protect their works, it also commanded publishers to deposit copies of the book in the King’s Library as well as the libraries of Oxford and Cambridge. Three centuries ago, no that many books existed, and very few common people had access to them. With the passage of Statute of Anne, anyone that could study at Oxford or Cambridge had access to every printed work of the land.
Flash-forward to the present, and the world’s largest library, Google Books, is involved in a massive lawsuit with publishers and authors around the world. For the past few years, Google has been scanning and recording every book in a searchable database. For many of the books logged, Google has not bothered acquiring permission from the copyright holders. As any researcher can tell you, the service is invaluable. With the same speed that Google searches the Internet, Google Books has the ability to return corresponding written works relevant to a user’s search.
Comparing the Statute of Anne to the current legal battle that embroils Google’s Books project, it immediately becomes apparent how much copyright law has become twisted. Copyright protection was originally granted to publishers as trade to encourage publishers to deposit copies of their works in libraries. Now, copyright is granted immediately upon creation before the author shares the work with anyone. An author receives just as much protection for hoarding their works as much as they would for sharing. This to me is the most compelling argument for a complete overhaul of the worldwide copyright system.
March 28, 2009
Having learned his lesson after the Atlantic fiasco that has prevented Sai’s release for the past 4 years, Saigon has signed a deal with Amalgam Digital that I believe will be model for independent artists in the future. Instead of signing with a traditional deal with an indie label, Saigon’s deal simply grants Amalgam the right to distribute his tunes to various digital retailers. As Sai put it in a recent interview, he is nobody’s artist and controls his own career at this point. Due to that level of autonomy and the lack of physical CD sales in recent years, I believe many artists are going to be looking at going straight to digital distribution.
The deal is being kicked off with the release of Saigon and Statik Selektah’s album All in a Days Work. Amalgam is not promoting the album and thus has a much lower overhead, so Saigon had much more artistic freedom in the creation of this album. It’s arguable that that All in a Day’s Work is rawest material Saigon has made since his Yardfather release.
For artists that aren’t doing huge numbers and can pack stadiums for shows, 360 deals like Jay-Z’s won’t be available, and the ability to control their own content, promotion, and release schedule will be the most effective means to get their music in the hands of listeners while deriving revenue. Essentially, by going to directly to a digital distributor, the artist is cutting out the record label, another middle man. The artist will be allowed to retain a higher percentage of their publishing rights and sales profits. Through the efforts of business savvy artists or artists with effective management teams, much of the bloat in the music industry could be cut away.
As CD sales continue to plummet, the music industry can no longer afford the many tiers of administration it has established over the past century. When consumers were forced to pay top dollar for recordings of their artists, the industry could afford to have huge A&R and promo teams that orchestrated the release of thousands of albums a year, but when the top selling albums of the year barely go platinum in a week, the industry can no longer afford to pay everyone’s salary. Cutting out independent record labels or essentially forcing each artist to become their own indie label removes a lot of the gratuitous excess and places a high percentage of the sales revenue directly in the artist’s pocket.
Full story @ Hip Hop DX
December 27, 2008
In a move that generally shocks me, the RIAA has decided to quit filing suit against individual MP3 downloaders, but this shift in policy is not a sign of surrender. The RIAA has shifted strategies to notifying ISPs of offenders and potentially having them blacklisted from the internet.
Under the new policy, if an offender is caught downloading copyrighted content illegally three times, the RIAA will request that offenders internet access be revoked. This could create a whole class of citizens that have been denied access to the fastest growing communications tool humanity has ever seen without so much as a single government hearing. Even an administrative agency would have to hold a hearing to determine the presence of an infringement.
As telecoms continue to bundle packages that include internet, TV, and voice, would they be forced to revoke all services upon the third infringement?
Full article @ Wired